Ayyam Gallery Dubai (11 Alserkal Avenue) is pleased to present Hybrids, a solo exhibition by Rashid Al Khalifa.
Hybrids will present a selection of wall-mounted installations from six different series from 2010 to 2017.
Over the past four decades,
Rashid Al Khalifa has continuously explored the nature of experientiality of art whilst asserting the importance of its context over art for art’s sake. Rashid has experimented with a multitude of painting styles, including Realism, Impressionism, and Individualism. Over the past decade, he has turned to Abstraction and Colour Field.
In his recent works, Rashid maintains a focus on the aesthetics of what postmodernists identify as re-contextualisation of an art genre. Investigating varying articulations of seriality within his oeuvre, as well as geometry, surface, and colour, the artist creates simple yet deeply resonant works. Rashid’s installations are ‘hybrids’ of painting and sculpture, where he increasingly experiments with three-dimensionality using aluminum, stainless steel, and other mediums.
With the circle serving as a starting point in many of his works, it evolves to become a circular hole in the convex aluminium surface, adding another spatial dimension to his work. In his 120 x 120 cm untitled work from his Into a Different Dimension series, Rashid creates a perfectly circular hole in the middle of the convex square-shaped aluminium, painting the background with blues. The reflective surface draws the viewer in, creating the basis of an intimate relationship with the work.
In the 2015 Shape of Time series, Rashid continues to present variations on the circle and the square. In this series, the artist creates folds with detached sections of the circles, highlighting fragile connections between the shapes. Through these works, the artist presents the viewer with a challenge of entering into a relationship with each piece through a deep understanding of the quiet authority of these works.
Through his research and his three-dimensional works – with seemingly limitless permutations of simple geometric forms – Rashid explores the phenomenological relationship between work, viewer, and architecture.
The opening reception was attended by the President of Zayed University, and first female minister of the UAE, HE
Sheikha Lubna bint Khalid Al Qasimi, by the President of Bahrain Authority for Culture and Antiquities, HE
Sheikha Mai bint Mohammed Al Khalifa, HE
Sheikha Sarah bint Hussein Al Muallaof Umm Al Quwain, by world-renowned curator,
Éva McGaw, British busineswoman and shareholder of Bahamas Port Authority,
Caroline St.George,
Baron Henri Estramant, Managing Director of Royal Bridges and Adviser for Diplomat Magazine.
About the Artist:
Beginning his career in the late 1960s, Rashid Al Khalifa has exhibited in Bahrain and internationally. He presented his seminal quasi-kinetic works in a solo exhibition at the Middle East Institute in Washington DC in 1982. In 2010, a large-scale retrospective exhibition entitled
Convex: A New Perspective was held at the Bahrain National Museum.
Rashid Al Khalifa was the first president of the Bahrain Arts Society and currently holds the title of Honorary President. He has participated in numerous solo and group exhibitions internationally. Solo exhibitions include Shuman Arts Organisation, Amman, Jordan (1997), De Caliet Gallery, Milan, Italy, and El Kato Kayyel Gallery, Milan (1996). His work as also been featured in group exhibitions such as La Biennale di Venezia, Venice, Italy (2017 and 2015), Third Mediterranean Biennale, Sakhnin Valley (2017), Bahrain Arts Society, Manama, Bahrain (2016), TRIO Bienal, Rio de Janeiro, Brazil (2015), Issoudin Museum, Issoudin, France (2015), Galerie Gmurzynska, Art Basel Miami Beach (2010) Bahrain National Musuem, Manama (2002), Taipei Art Exhibition, Tapei, Taiwan (1999), Sharjah Biennial, Sharjah, UAE (1999), and Art America Exhibition, Miami, USA (1997).
About Ayyam Gallery:
Founded in 2006, Ayyam Gallery is a leading arts organisation that manages the careers of diverse established and emerging artists. Blue-chip art spaces in Beirut and Dubai, a series of collaborative projects in the United States, Europe, and Asia, and a multinational non-profit arts programme have furthered the gallery’s mandate of expanding the parameters of international art. With its widely respected multilingual publishing division and a custodianship programme that manages the estates of pioneering artists, Ayyam Gallery has also contributed to recent efforts that document under-represented facets of global art history.
Exhibition Facts:
- Exhibition Dates: 20 January – 10 March 2018
- Regular Hours: Sun – Thu: 10.00 am to 6.00 pm, Sat 12.00 to 6.00 pm
- Location: Ayyam Gallery Dubai (11 Alserkal Avenue), Al Quoz 1, Dubai
- T: +971 4 4392395
- E-mail: dubai@ayyamgallery.com
For further information:
Ayyam Gallery, Serkal Avenue, Al Qouz, Dubai:
http://www.ayyamgallery.com/exhibitions/rashid-al-khalifa
Rashid Al Khalifa:
https://rashidalkhalifa.me
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Pictures by Ayyam Gallery
The style of “Wagashi” we see today, was developed between the 17th and 19th century.
European countries (like Holland and Portugal) had introduced sugar to Japan. It meant a new way of sweetening, which had a profound effect on the manufacture of “Wagashi”.
In time “Wagashi” became an indispensable part of the tea ceremony and as such, spread not only among the high social classes but among the common people as well.
Mr. Takanori Murata, a “Wagashi” craftsman, currently working in Paris, showed how the traditional ingredients of “Wagashi” (bean paste – from various beans – and sugar) and a large variety of utensils are used to create beautiful shapes and forms.
After the demonstration, the guests were invited to try their own hand at making “Wagashi”.
Mr. Tomohiko Murakami, a master carpenter from Hokkaido and representative of the Gen Company told us a little about the design of Wagashi tools and equipment.
Tea and “Wagashi” was served.
