Thursday 23 March 2017, 20:15, Lutherse Kerk The Hague
European Union Baroque Orchestra performs Bach and Händel
They receive universal acclaim for their your youthful energy and powerful performances. When the musicians of the European Union Baroque Orchestra appear on stage, the audience brings down the house and reviewers reach for superlatives.
The secret of their success? The ensemble has a new line-up every year. Only the best baroque musicians qualify to become a member. Dozens of aspiring musicians apply, but no more than 25 are selected. They work with the best conductors and soloists for many months and go on tour optimally prepared. This year the ensemble will be conducted by the renowned harpsichordist and conductor Lars Ulrik Mortensen.
The programme fits the musicians like a glove. The soloist is the soprano Maria Keohane. In 2000 she won the Musica Antica Award during the Van Wassenaer Early Music Competition. She has every chance to shine in Händel’s solo cantata Tu fedel! Tu costante, a brilliant piece with which the composer, just 21, was able to win over the audience in Rome. It started his international career that brought him to London, where he could develop himself to one of the most acclaimed opera composers of his time. 25 Years after his early success in Rome, Covent Garden hosted the first performance of Händel’s opera Alcina. Maria Keohane will sing the aria Ombre pallide from this masterpiece. It was immensely popular in its time.
Lars Ulrik Mortensen will take the limelight in Bach’s Harpsichord Concerto in A-major. The European Union Baroque Orchestra will finish their only concert in The Netherlands with Bach’s Weichet nur, betrübte Schatten, a sparkling wedding cantata and an ode to spring. Unsubscribe
This concert is also the final event of the European Early Music Network (REMA). This year it takes place in The Hague. Musica Antica da Camera is one of the main organisers.
European Union Baroque Orchestra.
Lars Ulrik Mortensen (conductor and harpsichord), Maria Keohane(soprano), Bojan Čičić (concert master and solo violin) and Neven Lesage(oboe).
George Friedrich Händel (1685-1759)
Concerto Grosso Op 6 no. 10 in d-minor, HWV328 – Cantata Tu fedel? Tu costante? HWV171a – Passacaglia in G-major HWV399 – Ah! Ruggiero: Ombre pallide from Alcina
Johann Sebastian Bach (1685-1750)
Harpsichord concerto in A-major, BWV1055 – Wedding cantata Weichet nur, betrübte Schatten, BWV202
Ticket sales: www.musantica.nl & 070 – 361 05 40.

“When I was on holiday in California years ago with my family I found this ghost crab arm and I used it to develop this bracelet.” The bracelet is connected to gimbal joints, and a lock modelled as a crab claw. Xuanas, the design for this year’s Tefaf, are earrings with yellow gold casts of St. John Wort petal’s. “Beside the story behind the jewel, for me, it is essential that the jewel is completely round or as we say in the German language “rundum”. Not only the front of the jewel but also the sides and the back must be elaborated. That is my signature.”
Special objects
Eguiguren Arte de Hispanoamérica shows a very special collection of antique calabash gourds with a “Bombilla” made of silver. These gourds were used to drink Mate, a traditional drink in some countries in South America, especially in Argentina, Paraguay, Uruguay and Brazil. Bernard de Grunne, leading tribal art dealer, shows a magnificent antique chief bell from Kongo at his stand.
Hemmerle
Another striking exhibition stand to mention is the fourth generation family-run jeweller Hemmerle in Munich. The Hemmerle family travel across the world treasure hunting for rare materials from colour changing garnets and melo pearls, to found materials like ancient carved jade and antique cameos.
Each jewel is handcrafted and layered with cultural references; they are as original as a work of art with design aesthetic of powerfully audacious modernity. A single piece takes over 500 hours of work and years can pass waiting to find the perfect coloured stones to complete a piece.
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Main picture: a Kongo Chief bell from Democratic Republic of Congo. Kongo, bell, 639. Alissa LaGamma et alli, Power and Majesty the Art of the Kongo Masters, The Metropolitan Museum of Art, New York,
Montserrat was the second most famous shrine in Spain after Santiago de Compostela and a popular focus for local adoration. This manuscript was written around 1400 and is made up of songs and dances written especially for the pilgrims visiting Montserrat.
To make them appealing to the visitors the music and rhythm of the songs is often based on folk music of the time. It doesn’t take much to imagine the pious revellers enjoying a song and a dance.
The Strozzi Female Choir will perform the Llibre Vermell de Montserrat in collaboration with soprano Mariana Pimenta, and musicians performing on historic instruments.
During the concert musicians and audience will connect through the projection of paintings by Hieronymus Bosch to reflect the spirit of every song and the fantastic world of the everyday religious life of the common people in the Middle Ages.
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Wine tasting is available after concert.
Sunday, 2 April 2017 16.00 15.30: door is open
Bleijenburg 3b, The Hague German Protestant Church



A highlight of the evening was the piano – soprano duo Karolina Janu (Czech, soprano) and Justyna Jarzab (Poland, piano). Both artists are holders of master degrees in their respective domains, obtained in Prague and Krakow respectively. Justyna currently works in Delft and Scheveningen. The ladies met some years ago while studying in Rotterdam.

A reception concluded the event.