Artworks as means of payment: What of a work of art is a fake?

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 As the value of art is rising more rapidly than inflation, artworks have become an attractive means of payment. What can you do if the artworks you purchased turn out to be fake and you have been paid in counterfeits? Three recent decisions by the Amsterdam District Court regarding the sale of a collection worth millions of Euros give more clarity.
By Paul W.L. Russell, LL.M. In January 2014, the owner of an art collection sells it via a holding company for EUR 1,636,000 to All Art Initiatives B.V. (AAI) to pay off part of his debts to the group company to which AAI belongs. In January 2013, the collection was appraised at EUR 3,759,100 on behalf of the owner. AAI seems to have made a good buy with the collection including works by Piet Mondrian, Max Liebermann, Mary Cassatt, Henri Toulouse-Lautrec, August Macke, Jan Sluijters, George Hendrik Breitner, Isaac Israëls, Maximilien Luce, Edouard Vuillard, James Ensor and Constant Permeke. This is in original work by Mondrian (1920)

Fake art

When in 2015 two experts commissioned by AAI examined the art collection they concluded that a large number of the artworks were fake. Thereafter, AAI required documentation regarding the authenticity of the artworks from the original owner, such as certificates of authenticity, purchase invoices and catalogues raisonnés. The original owner only produced taxation reports that said nothing about the authenticity of the artworks, which did not satisfy AAI.

Damage and warranty

AAI then asked the court to terminate or annul the purchase agreement, because of fraud or error, or to compensate the damage because of non-conformity. As the owner should have known this, not just the holding company – which held the practically worthless collection – but also he himself is liable for the claim. As error was excluded in the agreement as a reason for termination and there was no conclusive evidence for fraud, only compensation due to non-conformity is dealt with in the proceedings. The original owner argues that no warranty for authenticity was given and that AAI, as a professional buyer, should have performed an appraisal. The court does not go along with this. AAI could rely upon three appraisal reports the owner submitted to them prior to the purchase. In addition, the owner had guaranteed the value of the artworks.

Experts

As the opinions of the parties’ appraisers differ with regard to the value of the collection, the court decides to appoint its own expert. AAI claimed that the artworks were fakes and thus has to prove that this statement is correct. Therefore, it is not the task of the expert to determine that the artworks are authentic but to view whether it can be said with a great degree of certainty that the artworks are a fake. Due to this requirement the artworks will be considered as “authentic” more quickly.

Amount of damage

After an examination of 127 works of art, it turned out that one third was certain to be forged and the major part of the other works had been overvalued. The collection was not worth EUR 3,759,100, but only EUR 906,700. And that is a lot less than the amount of EUR 1,636,000 the collection was bought for. The seller, the holding company, therefore has to compensate the damage AAI incurred. That amounts to EUR 755,300, which is the difference between the purchase price and the actual value of the artworks. As the art collection was the major asset of the holding company, it will be difficult to obtain compensation. The Court does not consider it proved that the director of the holding company consciously harmed AAI and therefore only the holding company has to cover the damage and legal costs, and costs for seizure incurred.

Prevent fake art sales

The problems were caused because AAI had the collection thoroughly assessed after the purchase instead of before to it. This could be prevented by an upfront investigation regarding authenticity and provenance of artworks. About the author: Paul Russell is a lawyer for international and national businesses, art dealers, museums, and affluent individuals. He specializes in corporate governance, contracts and corporate litigation. He has been a lawyer at Russell since 1976. Russell Advocaten will gladly help you finding independent experts and drafting a sales agreement that provides you with the opportunity to recover the costs in the event of forgeries. @: paul.russell@russell.nl t: +31 20 301 55 55  

Dutch biologist Freek Vonk in Rwanda!

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The most famous biologist in the Netherlands, Freek Vonk visited Rwanda last summer and his dream came true while discovering the country. Four TV episodes have been broadcasted in November; with his enthusiasm, Freek gave a wonderful impression about nature and wildlife in Rwanda. Herewith you can see the list of all four episodes, which will give you the opportunity to watch the episodes online. Episode 1 – broadcasted on 13 November Volcanoes NP – gorillas https://npo.nl/freeks-wilde-wereld/13-11-2017/VPWON_1283229   Episode 2 – broadcasted on 16 November Nyungwe Forest NP & Chimps https://npo.nl/freeks-wilde-wereld/16-11-2017/VPWON_1283232   Episode 3 – broadcasted on 24 November Colobus Monkey https://npo.nl/freeks-wilde-wereld/24-11-2017/VPWON_1283239   Episode 4 – broadcasted on 30 November Volcanoes – Bambooforest – Golden Monkey https://npo.nl/freeks-wilde-wereld/30-11-2017/VPWON_1283244    

Revisiting Dictatorship: Democracy is Worst Form of Government, Indeed

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On the picture Mr Endy Bayuni. “Democracy is both: the procedure and the content. It is a periodically revisited, fine-calibrated social contract that ties all horizontal and vertical segments of society. Although sometimes slow, tedious and consuming, this is still a truly comprehensive, just and sustainable way to build on its past, live the presence and pursuit the future of a nation.” Following the known lines of professor Anis H. Bajrektarevic on ties that bind, hereby is the fresh take from one of the largest democracies of the world – that of Republic of Indonesia. By Endy Bayuni. The late Soeharto has become something of a poster boy for leadership as the nation searches for a president who can effectively deliver the goods. Photos of the smiling president, who ruled Indonesia between 1966-1998, appear everywhere, with the caption in Javanese “piye kabare, isih penak jamanku, tho?” (How are you, better in my era, wasn’t it?), a reminder that for some, life was so much better then. The Soeharto posters and memes have been going viral since the 2014 election and are still circulating now. Soeharto was a dictator, there is no doubt about it, though his supporters would claim that he was a noble one. But the point of the poster is that Indonesia had a leader who delivered the goods, something that no other president since then has been able to match, so his supporters claim. Soeharto, who ruled with an iron fist, did deliver justice, security and welfare, but it is debatable whether his successors have fared better or worse. Ruling the country for 32 years, he was bound to have delivered something, while his successors have been subject to periodic democratic elections and limited to ruling for no more than two five-year terms. The bigger question, and this was one of the topics discussed at the recent Bali Civil Society and Media Forum, is whether democracy can deliver justice, security and welfare to the people, all the people. Indonesia, now a democracy for nearly 20 years, albeit a struggling one, makes a good case study to answer this question, by comparing the ability of the two political systems in bringing greater prosperity to the people. The track record of Indonesia since 1998 has not been bad, although perhaps underappreciated. The economy has improved significantly, in terms of overall GDP and per-capita-income growth, and the government today provides many services such as free health care, 12-year compulsory free education and cash assistance for the poor. Indonesia is today the 16th-largest economy in the world, and many predict that it will be in the top 10 by 2025 and top five by 2040. We have a growing middle class, reflected by the number cellphones, cars and motorcycles, and a growing appetite for holidays, both at home or abroad. And there is freedom, all kinds of freedom, something that distinguishes today’s era from that of Soeharto’s. Why then, do some people still feel that they miss Soeharto? Perhaps they don’t really miss him, but they miss the certainty, the swift way decisions were made and the security he provided. They miss the effectiveness and efficiency that an authoritarian regime can deliver. Democracy, unfortunately, is almost anything but. Decisions are made through an arduous and cumbersome process, and the government is often mired in stagnation. Every single major decision has to undergo the democratic processes, meaning noisy public debates and endless deliberation by legislators. We also have legislators who are good at grandstanding but ineffective in producing laws that reflect the aspirations of the people. In many ways, Soeharto’s regime produced some better laws because they did not go through the lengthy debates we see today. On security, Indonesia faces challenges in ensuring protection for people who are attacked or persecuted because of their faith, race, sexual orientation or even ideological leanings. The attacks on the Shia and Ahmadiyya followers, the forced closures of places of worship, the recent attacks against people because of their leftist ideological leanings, and the return of anti-Chinese sentiments, reflect that freedom and the protection of freedom have been denied to some. Soeharto would not have tolerated any of this, but then, he would not have tolerated a lot of other things, including dissent and differences of opinion. Populism, the hallmark of democracy and one way of getting elected, also means leaders addressing only popular issues but avoiding more fundamental problems. These failings of democracy in Indonesia may have revived our memory of the “good old days” of Soeharto (while forgetting the worse aspects of his regime), but they should not be used as a pretext for a return to authoritarianism. Democracy in Indonesia is still a work in progress. We have been in this game for only 20 years, and it still has not been able to ensure justice, security and welfare for all. Democracy, as the popular saying goes, is the worst form of government, except for all the others. The alternative, an authoritarian regime, may be swift and efficient. But if authoritarianism comes at the cost of our freedom, an absence of checks and balances and endemic corruption, then yes, give us democracy any time. We just have to work harder, through the democratic process, to fix these problems. We have to have faith in democracy. ————- About the author: The writer, editor-in-chief of The Jakarta Post, took part in the Bali Civil Society and Media Forum, organized by the Institute for Peace and Democracy and the Press Council, on Dec.5-6.

Rizal Day at The Philippines Embassy in The Hague

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On the picture H.E. Jaime Victor Ledda.  By Anton Lutter. For the second time the knights of the Order of Rizal participated at Rizal Day commemoration at The Philippines embassy december the 29th. Thanks to ambassador H.E. Jaime Victor Ledda the commemoration was again a success. He himself held an excellent presentation about Dr. Jose Rizal, the National Hero’s connection with The Netherlands and urged for more research on this topic. His theme was well chosen considering the fact that The Netherlands and The Phillipines enjoy 65 years of diplomatic relations and 150 years of consulair relations. On behalf of the Knights of Rizal the chapter commander of The Hague Chapter Sir Anton Lutter, KCR thanked ambassador Ledda for his hospitality and strong support of OKOR in The Netherlands. Sir Anton conveyed the good wish message from the European Regional Commander Sir Antonio Guansing, KGOR to the ambassador and the attendants.
Prof.Mr. Olaf baron van Boetzelaer.
The keynote speach of Rizalday was delivered by Professor Sir Olaf baron van Boetzelaer, KR and titled Dr Jose Rizal in retrospective as inpirator for ASEAN, inspired by the fact that The Philippines is chairing ASEAN in 2017. Some quotes: “Can reflection on Dr. Rizal in retrospective, be inspiring with regards to ASEAN’s future? Indeed the past is sometimes the key to the future. In Dr. Rizal’s perception central is his aspiration for the freedom of the person, his concern for the person’s dignity and his analienable rights. And it is here also fits in exactly the message of the Philippine diplomacy, mentioning “a people and oriented and centered ASEAN”. So as the Philippine diplomacy on the eve of his chairmanship proclaims: “peace and stability in the region” it is also in line with the spirit of Rizal, wishing that for his countrymen. Let us hope that the “Declaration of Conduct concerning the South China Sea “ by ASEAN, leads to appropriate attitudes and behavior of the concerned sea faring nations. The Philippines aspires for ASEAN to develop a model of regionalism, even a role of global player. In Dr. Rizal’s perception , the Philippines were also of course part of the global family of nations. A fitting conception for the “homo universalis”, a patriot and at the same time being open to the world.”        

Haiti New President

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Haitian President-elect Jovenel Moise, candidate of the political party founded by former President Michel Martelly, the Haitian Tèt Kale Party (PHTK) held a press conference after the announcement of his victory in Petion-Ville, Haiti, on Tuesday, January 3, 2017. Moise, a businessman from northern Haiti who has never held political office, was certified as the official winner of the November presidential election Tuesday following a ruling by an electoral tribunal that found no evidence of large-scale voter fraud.

Prince Bernhard Cultural Funds Award 2016

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2 December 2016, Amsterdam: Heddy Honigmann, a prestigious Dutch-Peruvian documentary director was bestowed the “Silver Carnation” in 2016 by the Prince Bernhard Cultural Funds. Behind the decision, the jury praised Honigmann for “the exceptional way in which she conducts interviews, and for the loving way in which she depicts the strengths, joys and the vulnerabilities of people from all walks of life“. Heddy Honingmann received the carnation from HM Queen Máxima of the Netherlands.  The prestigious Zilveren Anjer (Silver Carnation) Awards annually recognize individuals who have made extraordinary, voluntary contributions to Dutch cultural life and the environment. The award itself is accompanied by a pecuniary sum of 75,000 EUR. In addition to it, the laureate receives a “cultural fund” with an initial capital of 75,000 EUR; he/she decides the aims and name for the fund.  The Cultuurfonds were set up in London in 1940 by the late Prince Bernhard of the Netherlands, maternal grandfather to incumbent King Willem Alexander and spouse to Queen Juliana. There were meant to purchase war material for the British and Dutch governments. They continued after the war as “Prins Bernhard Cultuurfonds”, aimed at rebuilding cultural life in war-torn The Netherlands. Headquartered on the Herengracht canal in Amsterdam, the foundation has 12 local branches, one in each of the Dutch provinces. Furthermore there is a separate Distribution Committee for projects in Aruba, CuraĎ‚ao, St. Maarten and Bonaire, St. Eustatius, Saba. Each year over 3,500 cultural, nature an scientific projects are supported. These include town bands, the restoration of historic buildings and ships, dance performances, the preservation of unique cityscapes and landscapes, and scholarships for young artists and scholars to study abroad. For further information: http://www.cultuurfonds.nl/projecten/onderscheidingen-en-prijzen/prins-bernhard-cultuurfonds-prijs https://en.wikipedia.org/wiki/Heddy_Honigmann —— Photography by Prins Bernhard Cultuurfonds.    

ICC Trial Chamber VI rejects challenge to jurisdiction over two war crimes counts

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On 3 January 2017, Trial Chamber VI of the International Criminal Court (“ICC” or “Court”), in the case of The Prosecutor v. Bosco Ntaganda, found that it has jurisdiction over counts 6 and 9 (alleged war crimes of rape and sexual slavery of child soldiers) and rejected the Defence’s challenge thereto. This decision relates only to the Chamber’s authority to adjudicate the alleged conduct. The decision is without prejudice to the guilt or innocence of the accused which will be determined only at the end of the trial. The Defence argued that Counts 6 and 9 do not fall within the subject matter jurisdiction of the Court considering that, according to Article 3 common to the Geneva Conventions of 1949, war crimes may not be committed by members of an armed force against members of the same armed force. Trial Chamber VI had initially ruled that the Defence’s challenge did not constitute a jurisdictional matter and that it would address this question in the judgment. However, the Appeals Chamber decided that the challenge was jurisdictional in nature and remanded the matter back to Trial Chamber VI, which allowed the parties to make updated submissions. After examining the Defence’s submissions, as well as those of the Prosecutor and the Legal Representative of victims, ICC Trial Chamber VI found that limiting the scope of protection in the manner proposed by the Defence is contrary to the rationale of international humanitarian law, which aims to mitigate the suffering resulting from armed conflict. The Chamber further found that members of the same armed force are not as such excluded as potential victims of the war crimes of rape and sexual slavery, whether as a result of the way these crimes have been incorporated in the Rome Statute, or on the basis of the framework of international humanitarian law, or international law more generally. The Chamber concluded that “there is never a justification to engage in sexual violence against any person” and that “such conduct [rape and sexual slavery] is prohibited at all times, both in times of peace and during armed conflicts, and against all persons, irrespective of any legal status”. Therefore, the Chamber decided that it has jurisdiction over the alleged conduct described in Counts 6 and 9 of the charges without prejudice to whether such acts have taken place or to the accused’s presumption of innocence.

UK Permanent Representative to the EU appointed

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Sir Tim Barrow – Picture by mil.ru. London, 4 January 2017: Her Britannic Majesty’s Government has appointed Sir Timothy (Tim) Barrow as British Permanent Representative to the EU after the resignation on 3 January 2017 of Sir Ivan Rogers, in office since 4 November 2013. Ambassador Barrow is a career diplomat who held his last ambassadorship in the Russian Federation. Previously worked at the UK’s Permanent Representation to the EU in Brussels tasked at the Political and Security Committee of the EU from 2008 to 2011. His earlier EU experience includes spells as an Assistant Director in the Europe Directorate and a First Secretary in UKRep. For further information: https://www.gov.uk/government/world/organisations/uk-representation-to-the-eu https://www.gov.uk/government/news/sir-tim-barrow-appointed-as-uk-permanent-representative-to-the-eu

The Mechanism launches new website

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Arusha, The Hague, 4 January 2017- The Mechanism for International Criminal Tribunals (“MICT”) yesterday launched an updated and improved version of its website, as part of its ongoing efforts to promote greater accessibility and transparency of information.   Following a  reorganization, the website has a new, modernized structure that allows for easy and intuitive navigation and streamlined access to information about the Mechanism’s mandate, functions, and activities. The revamped website also features a range of new content, including additional information on the functions page and in the fugitives’ section as well as newly designed case timelines marking key developments in selected cases. In updating the website, the Mechanism focused on the importance of making information available to audiences in Rwanda and the former Yugoslavia by increasing the content available in Kinyarwanda and Bosnian/Croatian/Serbian (“BCS”), along with the Mechanism’s working languages of English and French. In addition, the website uses state-of–the-art technology that ensures its full availability on any mobile device. The Mechanism will continue to enhance access to information for its ever-growing and diverse audiences by maintaining and regularly updating the website as well as adding a broad range of new content in the future.   Information: Mechanism’s website    

Maltese duo concert

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 On the picture violinist Nadine Galea and harpist Cecilia Sultana De Maria. By Djoeke Altena. His Excellency Joseph Cole, Ambassador of Malta and his spouse Bernardina Cole invited fellow diplomats, officials, members of the Maltese community in the Netherlands and other honourable guests to a duo concert and a reception on 9 December 2016. After a short introduction by Ambassador Cole, the Duo Concert started. The performing artist were the talented violinist Nadine Galea and harpist Cecilia Sultana De Maria. Both musicians are graduates of the Royal College of Music in London, and have performed all over Europe. During the concert the artists played music from several European composers such as J.S. Back, C. Saint-SaĂ«ns and B. BartĂłk and works of Maltese composers. Most of played pieces were not originally written for a violin and harp combination, but Sultana de Maria and Galea made it sound like the compositions were written for the violin and harp combination. After the concert the Ambassador invited the guest for a reception, where diplomats, officials and members of the Dutch-Maltese community were are able to meet, while enjoying food and drinks. ——————– Photography the  Embassy of Malta in The Hague.