‘The Pollera’ – Panama’s National Pride

8 of January, 7th and 9th of February, 2024
Special series of Events by the Embassy of Panama

The Ambassador of Panama, H.E. Ms. Elizabeth Ward Neiman, started a unique national promotional program under the theme of Panama National Dress, “La Pollera”. With a small population of only 4.2 million inhabitants, the central American nation is invariably proud of having what is considered to be one of the most beautiful and costly national dresses in the world and ambassador Ward decided to share it with the Dutch society.

Panama is known primarily for its mix of races and exuberant nature; its rich gastronomy; its ultramodern city and historic center; as a top international business and finance center; and as an air, maritime and digital hub leading to an internationally well-known logistic center being one of the best-connected countries in the world.  Less known is that it is one of the three carbon negative countries in the world.

Carolina Ward Bothmann in a Pollera de Gala and H.E. Ms. Elizabeth Ward Neiman, Ambassador of Panama at the Panamenian Chancellery.

On the 8th of January, at the International Women Club, the 7th of February at Instituto Cervantes of Utrecht, and 9th of February at The Arts Society The Hague are a series of events hosted by the Embassy of Panama in collaboration with the mentioned prestigious cultural entities.

Sheyla Karman in a Pollera Montuna, H.E. Ms. Madeleine Liguemoh Ondoua, Ambassador of the Republic of Cameroon, H.E. Ms. Marisol Aguero Colunga, Ambassador of the Republic of Peru, H.E. Mr. Mario Oyarzabal, Ambassador of the Argentinian Republic, H.E. Ms. Sahar Ghanem, Ambassador of the Republic of Yemen and Dean of the Diplomatic Corps, the host H.E. Ms. Elizabeth Ward Neiman, H.E. Mr. Agustin Vásquez Gómez, Ambassador of the Republic of El Salvador and Johanna Landman, in a Pollera de Gala at the Instituto Cervantes of Utrecht.

During each event, H.E. Ms. Elizabeth Ward Neiman is delivering a presentation on ´The Pollera’, the traditional national dress of Panama, worn by women primarily during folkloric and cultural festivities to honour the Panamanian heritage and traditions.

The art of producing these hand-made dresses and transferred from one generation to the next, is making a comeback due to increased efforts by the government which are explained during the presentations. It takes several years and multiple artisans to make one of the gala polleras, thus making them very costly!  

The pollera has undergone evolution throughout the years but its origin dates to the time of the Spanish conquest dating from the traditional Spanish peasant dress of the 16th and 17th centuries.  “At that time, it was the women´s daily attire; very simple, normally white with floral embroidery and used in mild climates and areas such as in Andalusia with harsh climates in summer season. In Panama, the pollera, which translated means “skirt”, refers to the set of shirt and skirt and is used in festivities denoting nationalism and folklore as well as on special occasions.” explained Ambassador Ward to the attendees.  

Sheyla Karman in a Pollera Montuna, H.E. Ms. Madeleine Liguemoh Ondoua, Ambassador of the Republic of Cameroon, H.E. Ms. Marisol Aguero Colunga, Ambassador of the Republic of Peru, H.E. Mr. Mario Oyarzabal, Ambassador of the Argentinian Republic, H.E. Ms. Sahar Ghanem, Ambassador of the Republic of Yemen and Dean of the Diplomatic Corps, the host H.E. Ms. Elizabeth Ward Neiman, H.E. Mr. Agustin Vásquez Gómez, Ambassador of the Republic of El Salvador and Johanna Landman, in a Pollera de Gala.

There are 28 varieties depending on the region where it is made. The style of pollera would determinate the type and quantity of jewelry and hair pieces worn, which can range from fresh flowers and wooden beads to extravagant tembleques and numerous gold chains.   “The more casual pollera, the Pollera Montuno, referring to the mountains where the women would come from, is plainer and straighter and is made from a certain type and quantity of inexpensive fabric.  There are several types of montuno polleras.  They are used during the carnival, folkloric parades and rural events like the rice shelling,” she explained while a model walked to the scenario to demonstrate it.  

The Pollera Congo, originated among the slaves and black women that were dependent on fabric scraps to make their clothing resulting in a colorful mix of plain and printed designs sewn together in geometric patterns.  Added, were fresh or dried flowers as hair ornaments and jewelry made out of a variety of beads or wood.   The fancier, Pollera de Gala, also has several varieties.  One is the totally white dress and used on very special occasions, such as weddings. However, the maximum plus ultra is the Pollera de Gala Zurcida Calada. It is the most elaborated and costly of all polleras; hand made of imported fine white linen fabric and French or Belgian lace, with colored intricate unique embroidery with takes from three years and up to make it. Many artisans work together and combine their unique contributions before being stitched together to finalize the confection of the dress. The dress is enriched with braids and laces and the colors are chosen by the proud new owner as she orders her dream pollera.

An equally important part of the gala pollera are the head accessories called Tembleques (The term comes from the movement of the pistils of the flowers, as they should move when dancing).  They are made of pearls, crystals, and other materials.  Between 12 and 14 pairs of Tembleques, depicting flowers and garden animals, should be placed symmetrically on the women´s head depending on the size of the woman and the year the pollera was made.  Gold jewelry, as well as matching colored motta, ribbon and shoes complete the full gala pollera dress.  

While choosing the headdress adornments as well as the gold jewelry, certain rules must be respected to maintain the tradition of the pollera. There are specific types of gold earrings and other golden jewellery, consisting of seven to twelve gold necklaces each with a specific name and meaning holding different symbols of Catholicism, bracelets and rings.  

Johanna Landman, in a stunning Pollera de Gala, H.E. Ms. Elizabeth Ward Neiman and Sheyla Karman in a charming traditional Pollera Montuna at the Instituto Cervantes of Utrecht.

The national parade, Desfile de las Mil Polleras, is organised every year in January by the Panama Tourism Authority to promote Panamanian cultural heritage through the pollera of each region, made by people dedicated during the year to the special artisanal work. This year it was celebrated on the 13 of January in the city of Las Tablas and it exceeded 20, 000 parading women in polleras and 250, 000 people in attendance.

After Ambassador Ward Neiman´s fascinating presentation, drinks and canapés were served.

Senegal on the eve of presidential elections

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HRWF (09.01.2024) – When Senegal goes to the polls to elect a President on 25 February 2024, it will be a crucial date with ramifications far beyond that country’s borders.

President Macky Sall’s decision not to stand for a third term bucks the trend in a region with leaders seeking to extend their hold on power. The Senegalese president’s announcement that he will not stand, and his instruction to his government to do everything possible to organise a transparent election, send a clear signal to his own people and also set the tone for other elections on the continent this year.

President Sall’s announcement was praised by neighbouring leaders, the African Union, the USA, and former colonial power France, whose foreign ministry said “Senegal is again delivering proof of the solidity of its long democratic tradition.” Certainly, Senegal is providing a welcome contrast to some other nations on the continent. With military rule in Burkina Faso, Guinea and Mali, plus Ivory Coast president staying in power in third term and Togo’s for a fourth, Senegal does seem a much needed beacon. A look at all mainland Francophone Africa’s countries sees Senegal standing out as truly democratic, with free elections, the transfer of power between opposing parties, and as we have seen with President Sall’s commitment not to stand, firm commitment to constitutional limits. The true test of democracy is the willingness to allow smooth transitions via free and fair elections.

Senegal’s February vote is one of several important African elections in 2024, including Mali, which is currently under military rule, South Africa, Ghana and Botswana. The international community will be looking to Dakar for an early indicator of how this year might look across the continent.

President Sall’s decision offers a firm foundation for Senegal’s future commitment to continued democracy protection of human rights. The international community should provide maximum support to Senegal as it goes to the polls, as the positive impact of that country’s smooth transition of power will echo across the continent. There should also be great vigilance regarding any foreign interference, especially from Russia, in Senegal’s February election campaign, as that too will have far-reaching ramifications.

Publishied by Human Rights Without Borders.

Congratulations to the class of 2023

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On 20 December 2023, ISS’ latest MA graduates collected their diplomas during a heartfelt commemoration to conclude their academic journey.

During the ceremony, 108 students were awarded their degrees, while some graduates attended virtually from their home countries. The batch comprised students from almost 50 different countries.

Furthermore, two awards were presented at the ceremony. Dr Roy Huijsmans, Dr Karin Astrid Siegmann, and Dr Nanneke Winters received the Best Teacher Award for their exceptional facilitation. The Best Thesis Prizes were awarded to Conor Farrell, Joelle Vetter and Amanda Faria Oliveira for their high-quality research work.

The 2023 Best Student Essays booklet, ‘An Exercise in Worldmaking’, was unveiled at the ceremony. This booklet, available now for reading, features 26 essays showcasing students’ diverse perspectives and expertise.

Finally, the students took a moment to reflect on the mounting crises of the Israel-Palestine conflict. Their speeches called for solidarity, support and mobilization against injustices in Gaza—a powerful way to conclude their academic journey.

ICC President concludes cooperation agreement with ILANUD

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On 11 January 2024, the President of the International Criminal Court (ICC), Judge Piotr Hofmański, signed a cooperation agreement with the United Nations Latin American Institute for the Prevention of Crime and the Treatment of Offenders (ILANUD). The Agreement aims to enhance cooperation and encourage the exchange of knowledge, experience and expertise between the two institutions.

“The objectives of the ICC can be best achieved in close cooperation and partnership with others. The ICC and ILANUD are united by shared goals, such as the rule of law and the pursuit of criminal justice. This agreement reflects our readiness to work together to facilitate the discharge of our respective mandates and opens possibilities to promote greater understanding of the Rome Statute, the ICC’s founding treaty, in Latin America, the Caribbean and beyond,” President Hofmański stated.

The Director of ILANUD Douglas Durán Chavarría, said: “The main objective of ILANUD has always been the advancement of the human rights approach, which is why a cooperation agreement such as the one now signed with the International Criminal Court is of the utmost relevance for ILANUD, given the outstanding work that the ICC carries out in this field. On the other hand, this new relationship with the ICC is also important for ILANUD because the strengthening of criminal justice systems is particularly relevant for this regional institute of the United Nations, given its special mandate in this area. Therefore, the agreement is an excellent opportunity to work together on issues of mutual interest.”

Through this agreement, the two institutions agree to cooperate closely and consult each other on matters of mutual interest. The institutions also intend to conduct training and assistance for their personnel on topics within their respective mandates, including evidence, judicial proceedings, protection of victims and witnesses and prison management.

Spotlight on Rwanda’s Tourist Attractions at Vakantiebeurs Tourism Fair in Utrecht, The Netherlands

Rwanda takes center stage at the prestigious Vakantiebeurs Tourism Fair in Utrecht, Netherlands, showcasing its diverse and captivating tourist offerings. The event, taking place from January 10 to 14, 2024, is a significant platform for Rwanda to connect with the BeNeLux market, comprising Belgium, Netherlands, and Luxembourg.

The Vakantiebeurs Tourism Fair is renowned as a premier travel fair, drawing exhibitors from over 100 countries. This year, Rwanda aims to leverage the event to build on the positive momentum of the tourism sector’s recovery, particularly in the Netherlands. After the setbacks caused by the COVID-19 pandemic in 2020, 2023 has emerged as an important year, witnessing a remarkable 75.3% recovery rate in tourist numbers from the Netherlands to Rwanda.

Visit Rwanda at Vakantiebeurs.

Ariella Kageruka, the Head of Tourism and Conservation at Rwanda Development Board, expressed excitement about the opportunity to showcase Rwanda’s attractions at Vakantiebeurs. She emphasized the importance of the BeNeLux market, highlighting it as a strategic source for leisure tourism.

The Vakantiebeurs Tourism Fair has a proven track record, with the previous edition attracting over 65,000 visitors throughout the 5-day event. With an estimated 65% of attendees expected to return for the 2024 edition, this provides a substantial audience for Rwanda to present its unique offerings.

Visit Rwanda is present at Vakantiebeurs.

Rwanda’s Ambassador to the Netherlands, H.E. Mr. Olivier J.P. Nduhungirehe, emphasized the country’s increasing popularity among adventure enthusiasts worldwide. He highlighted the diverse experiences awaiting tourists in Rwanda, such as kayaking on Lake Kivu or cycling the Congo Nile Trail. With the Netherlands being a nation where each person owns an average of 1.4 bikes, the ambassador sees this as an excellent opportunity to promote Rwanda’s cycling attractions.

H.E. Mr. Olivier J.P. Nduhungirehe In the middle, accompanied by his embassy team.

In addition to the presence of Visit Rwanda at the fair, various representatives from notable entities like Wanderlux Safaris, Blue Monkey Tours, Palast Tours & Travels, and RwandAir will participate in side events and networking sessions. These engagements are designed to foster connections with travel agents, tour operators, and potential travelers within the BeNeLux market.

Visit Rwanda, the tourism campaign of the Rwanda Development Board, aims not only to promote tourism but also to contribute to Rwanda’s economic development by facilitating private sector growth. Working in collaboration with conservation and tourism partners, Visit Rwanda strives to create unique tourist experiences while empowering local communities and supporting the conservation of natural ecosystems.

For more information on Visit Rwanda, visit Visit Rwanda or follow them on Facebook, Instagram, Twitter, and YouTube.

The New York Times Takes on OpenAI: Copyright Infringement Allegations Surface

In a surprising turn of events, The New York Times has recently filed a lawsuit against OpenAI, the creator of ChatGPT, and Microsoft. The lawsuit, filed in the final week of December, alleges that OpenAI utilized millions of articles from The New York Times in training its artificial intelligence models.

The newspaper claims that this practice not only constitutes copyright infringement but also poses a direct threat as unfair competition to traditional media outlets. In the legal documents, The New York Times argues that OpenAI’s use of its articles is also illegal. The lawsuit suggests that by incorporating copyrighted material without proper authorization, OpenAI has breached intellectual property rights. Furthermore, the newspaper claims that the AI models developed by OpenAI serve as direct competition to traditional media, as they can generate content in response to user queries.

Generative Artificial Intelligence and Training Data

Generative Artificial Intelligence, such as ChatGPT, is trained using diverse data sources from the internet, including newspapers, novels, webpages, encyclopedias, and more. This comprehensive training approach allows the models to generate human-like text responses to a wide array of queries.

The Challenge of Copyrighted Content

One significant challenge faced by AI developers is the use of copyrighted material in the training data. As AI models are trained on vast amounts of information gathered from the web, it becomes challenging to ensure that all the data used is free from copyright restrictions. The New York Times lawsuit sheds light on this issue, focusing on the unauthorized use of its articles in the training process.

OpenAI’s Response

OpenAI, a leading organization in artificial intelligence research, has not remained silent on the matter. In their initial response, they acknowledged the complexity of using diverse data sources and emphasized their commitment to addressing copyright concerns. OpenAI expressed a willingness to engage in a constructive dialogue to find a resolution.

Potential Implications

The outcome of this lawsuit could have far-reaching implications for the development and deployment of AI models. If The New York Times prevails, it may set a precedent for other media outlets to scrutinize the use of their content in AI training datasets. This could lead to a shift in how developers source and handle training data, with a greater emphasis on obtaining proper permissions for copyrighted material.

As artificial intelligence continues to evolve, so do the legal challenges associated with its development. The lawsuit filed by The New York Times against OpenAI highlights the complex issues surrounding the use of copyrighted content in training AI models. The outcome of this case could shape the future of AI development practices and the relationship between the technology sector and traditional media. It remains to be seen how this legal battle will unfold and whether it will prompt changes in the way AI developers approach training data and copyright compliance.

Two Day in Paris

By H.E. Mr. Suljuk Mustansar Tarar, Ambassador of the Islamic Republic of Pakistan to the Kingdom of the Netherlands

There is a certain randomness in old friendships. My dear friend Imran Qureshi, the famous visual artist, called me one day from Lahore in April to say that his first show after the Covid pandemic would be displayed at Gallery Ropac in Paris. He asked if I could join. As I live in the Hague, the notice was short. Despite that, it sounded worthwhile, primarily because I had attended Qureshi’s exhibition in MET New York and Washington DC at equally short notice.

I drove to Paris and made it to the opening reception on the evening of April 27. The show was aptly titled Homecoming – for it was after long that the artist was exhibiting his work and it was the type of work he had been doing in the 2010s. Unlike Qureshi’s recent work, these were miniatures showing his mastery.

Imran Qureshi

The opening was followed by a dinner where I met famous designer Christian Louboutin, a friend of Qureshi’s. I gave him my book, All That Art, which he browsed with interest. Qureshi later told me that Louboutin kept All That Art in his summer home in Portugal. I liked the simplicity of Louboutin, who kindly allowed me to take a photo of him with the book. Visual artist Suleman Khilji came from the UK, where he is studying at the Royal College of Arts.

Khilji’s figurative work is profoundly contemporary yet has an element of classic figurative painting, too, and though figurative work is coming back, Khilji started it at a time when it required some daring because the Pakistani art market was fascinated with neo-miniature abstraction. Pakistani designer Mehrunissa, who, with her mother, is the force behind creative Studio Lel, was also present. Thus, Paris became a meeting point for Lahore’s National College of Arts graduates from different parts of the world over Imran Qureshi’s exhibition.

Imran Qureshi, Thaddaeus Ropac and H.E. Suljuk Mustansar Tarar.

I had another day to spend in Paris. The next morning I opted to see the Pompidou Centre. It is one of the early large-scale buildings of high-tech architecture and one of my favourite buildings. It was completed in 1977 and designed by two star-chitects, Renzo Piano and the late Sir Richard Rogers.

The colourful structure, caged in pipes and utility edifices on the Paris street skyline, looked odd. It looked like a Lego structure. However, its other side, the actual front, has a large public space in front and engages the people sitting there or entering the centre. Pompidou Centre has a huge public library, gallery spaces and cinema halls. As I took the escalator, it was like going to an airport but with the most beautiful view of Paris.

In 2024, I hope to visit Paris again to see the retrospective of American abstract expressionist icon Mark Rothko, whose work I got to appreciate while living in New York. But this time, Paris combined for me Pakistan’s creative people from my alma mater, the National College of Arts and high-tech architecture.

About the author:

H.E. Mr. Suljuk Mustansar Tarar is Pakistan’s Ambassador to the Kingdom of the Netherlands. A career diplomat, he writes about contemporary art and architecture and is the author of All That Art. He can be followed on Instagram @suljuktarar & X @suljuk. This article has been published in The News on December 31,2023.

Terrorist Attack in Kerman

The statement released by the Embassy of the Islamic Republic of Iran in The Hague addresses a tragic terrorist attack that occurred in Kerman on January 3, 2024. The statement condemns the act in the strongest terms and provides details on the human toll, with 84 people, including children and women, losing their lives, and over 200 individuals incurring injuries.

The swift condemnation of the attack by various entities, including the Dutch government and the European Union, is acknowledged in the statement. The Embassy emphasizes that such acts of terrorism provide an opportunity for global unity in the fight against this heinous phenomenon. The statement underscores the commitment of the Islamic Republic of Iran to conducting thorough investigations to identify and apprehend the perpetrators and masterminds behind the attack.

Furthermore, the Islamic Republic of Iran expresses its unequivocal condemnation of the terrorist acts, highlighting their explicit aim to destabilize Iran and spread insecurity in the region and the world. The commitment to utilizing all political, legal, and international mechanisms to hold accountable those responsible for orchestrating and carrying out these attacks is reiterated in the statement. The pursuit of justice for the victims is emphasized as a top priority.

Norway: A trial about the State’s intrusion into religious beliefs

By Willy Fautré, director of Human Rights Without Frontiers

HRWF (08.01.2024) – From 8 to 19 January 2024, the District Court of Oslo will examine the de-registration case of Jehovah’s Witnesses on the grounds of their exclusion policy of members, also named disfellowshipping.

The case follows the government’s denial of the Witnesses’ application for state grants in 2021, which they had received for 30 years. These subsidies are not “gifts” but allocations provided for by the Norwegian Constitution and laws to respect the principle of equality between religious communities, whatever their size, since the Church of Norway (Lutheran) is supported by taxpayers’ money.

A timeline in short

On 27 January 2022, the County Governor (Statsforvalteren) for Oslo and Viken, Ms. Valgerd Svarstad-Haugland, issued an administrative decision denying the state subsidy for the year 2021 to Jehovah’s Witnesses.

The starting point of the legal saga was a report addressed to the Ministry of Children and Family Affairs by Prof. Furuli, a professor emeritus of Semitic languages at the University of Oslo and a disfellowshipped Jehovah’s Witness himself, in connection with the exclusion and expulsion policy of members. The question was raised about how the report should be assessed with regard to the registration of and state subsidies to the Jehovah’s Witnesses.

Noteworthy is that Prof. Furuli supported a first decision in August 2021 by a Norwegian court “annulling” an ecclesiastical decision where the Jehovah’s Witnesses disfellowshipped one of their female members, Gry Helen Nygård. However, this decision was reversed on 9 July 2021 by the Borgarting Court of Appeal and on 3 May 2022 by the Supreme Court of Norway with a unanimous decision (5-0). Nygård then took her case to the European Court of Human Rights (ECHR), which  rejected her complaint without giving any further  reason, which is common when the ECHR regards complaints as clearly unfounded.

Nygård has also taken her case to a different court, the media, and has found a sympathetic ear from people hostile to Jehovah’s Witnesses.

On 25 October 2022, the County Governor of Oslo and Viken, Ms. Valgerd Svarstad-Haugland, demanded via letter that Jehovah’s Witnesses change their religious beliefs and practices, otherwise they would lose their registration. In her letter, she did not refer to any court decisions or complaints to the police, child welfare authorities, or other relevant authorities. The Witnesses proposed to meet her but she declined their request.

On 22 December 2022, the County Governor revoked their registration as a religious community.

On 30 December 2022, Oslo District Court granted Jehovah’s Witnesses a temporary injunction suspending the County Governor’s decision and pending litigation.

On 26 April 2023, the District Court lifted the injunction in response to a request by the Ministry of Children and Families. The decision was appealed.

On 30 June 2023, the Borgarting Court of Appeal dismissed the appeal on technical grounds.

What are and can be the consequences of the de-registration?

News reports about the State revoking the Witnesses’ registration stigmatize the nearly 12,000 Jehovah’s Witnesses of Norway.

The negative media coverage has led to considerable increase in verbal abuse, physical assaults, as well as vandalism of places of worship (e.g., offensive graffiti, arson).

The community is losing the State’s recognition of their religious marriages as well as some $1.6 million (USD) in government grants.

The State intrusion into the beliefs and practices of Jehovah’s Witnesses that is being examined in Norway can have a very negative impact on other religious communities in Norway and other countries.

The ruling against that religious community “can have consequences for a whole range of other faiths,” stated Dag Øistein Endsjø, professor of Religious studies at the University of Oslo, in an interview published in the newspaper Vårt Land .

In an editorial, Vebjørn Selbekk (editor-in-chief of the respected Norwegian Christian newspaper, Dagen) expressed fear that the County Governor may go on and sanction other religious groups whose beliefs and practices she happens to disagree with. He regarded the decision as anti-democratic, and expressed the hope that the Jehovah’s Witnesses will “emerge victorious from the upcoming court process.” Noteworthy is that Mr. Selbekk is not a Jehovah’s Witness and is critical of their theology.

Monsignor Torbjørn Olsen, the Secretary of the Catholic Norwegian Bishops’ Conference, wrote in a Norwegian media: “If the denial of registration stands, it may soon only be a matter of time before a number of other communities with ‘incorrect’ positions will be deregistered.”

Last but not least, a collateral damage is also the reaction of the Russian Ministry of Foreign Affairs whose spokesperson, Maria Zakharova, decried the hypocrisy of Norway which deregistered Jehovah’s Witnesses, while criticizing Moscow at international forums for banning that same religious community. She also added that Russia’s nationwide ban is hereby legitimized by the decision in Norway.

A Winter by the Sea: A Dutch Art Extravaganza in Scheveningen

The picturesque coastal town of Scheveningen, located in The Hague, is set to become a hub of artistic brilliance with the upcoming exhibition titled “A Winter by the Sea.” Organized by Triple A Projects, this exhibition brings together a group of talented Dutch artists whose works captivate and inspire.

Festive Opening on January 13 at 3 pm

Mark your calendars for a festive opening on January 13 at 3 pm, where art enthusiasts and the local community can gather to celebrate the creative endeavors of these renowned Dutch artists. The event is not just an exhibition; it’s a cultural celebration that invites everyone to immerse themselves in the world of artistic expression.

Participating Artists

The exhibition boasts a diverse lineup of artists, each with a unique perspective and distinctive style. The participating artists include Marisa Polin, Rob van’t Zelde, Maria Neefjes, Lia Harkes, Marijke de Wit, Gerbrand Volger, Willeke van Tijn, Lotje van Lieshout, Wieke Terpstra, and Andre van Lier.

Explore the artists’ individual worlds by visiting their websites, such as Marisa Polin, Rob van’t Zelde and discover the depth and diversity they bring to “A Winter by the Sea.”

Mark your calendars for a festive opening on January 13 at 3

Exhibition Details

The exhibition will be open on January 13/14, 20/21, and 27/28, 2024. Visitors can explore the artistic wonders from 1 pm to 5 pm on these dates. The venue, located at Strandweg 171-173, Noordboulevard, Scheveningen, promises an immersive experience with the sea as a breathtaking backdrop.

For those arriving by car, convenient parking is available behind the exhibition venue. Alternatively, public transport is easily accessible via tram 9, with the nearest stop being Zwarte Pad.

Rob van’t Zelde

More Information

For additional details about the exhibition, visit the Triple A Projects website at www.allaboutartprojects.nl. For inquiries, feel free to reach out to Det Regts and Saskia Groenewegen, the organizers of this artistic endeavor.

Whether you’re a seasoned art enthusiast or just beginning your artistic journey, this exhibition promises a delightful and enriching experience by the sea. Don’t miss the opportunity to be part of this cultural celebration in Scheveningen!