Is religious liberty ‘under attack’ in Ukraine?

No, but the country faces a dilemma in how to deal with an Orthodox church controlled by Russia.

By Jillian Kay Melchior

Wall Street Journal (22.03.2024) – Opponents of U.S. aid to Ukraine claim the country persecutes Christians. “When American leaders frame this as a war for democracy and human rights, it would be good if the recipient of the aid was a little bit more careful of human rights, including religious liberties,” Sen. J.D. Vance (R., Ohio) says in an interview this week. Ukraine “is doing some pretty bad stuff,” he adds, citing “news reports of priests being investigated, church assets being seized and priests being arrested.

Ukrainians have “invaded churches, they’ve arrested priests,” according to Sen. Rand Paul (R., Ky.). Rep. Paul Gosar (R., Ariz.) says Kyiv has “banned Ukraine’s oldest and largest denomination, the Ukrainian Orthodox Church.” Tucker Carlson last year said President Volodymyr Zelensky “banned a Christian faith in his country and arrested nuns and priests.” In a Republican presidential debate, Vivek Ramaswamy said: “Do you want to use U.S. taxpayer money to fund the banning of Christians? That is actually what’s happening.”

Steven Moore, a former Capitol Hill staffer and now president of the Kyiv-based Ukraine Freedom Project, visited some 100 GOP congressional offices between September and January. About a third “said they’re concerned about Zelensky persecuting Ukrainian Christians,” he says.

This narrative—the product of a public-relations and lobbying campaign—sounds bad. But it’s false, and Americans in particular should appreciate Ukraine’s dilemma. After Sept. 11, the U.S. sought to safeguard religious freedom while protecting itself from Islamic terrorism. Ukraine seeks to uphold religious liberty while addressing Russia’s power over the Ukrainian Orthodox Church, which supports the Kremlin.

The story begins in the Soviet Union. After the 1917 revolution, Orthodox Christians went underground and proved resilient under persecution. Stalin concluded that if he couldn’t extinguish Christianity, he would co-opt it instead. Beginning in 1943, he re-established the Moscow Patriarchate of the Russian Orthodox Church and reopened churches and seminaries—under state control. This official religious life “could be surveilled, regulated, taxed and, most critically, used to accomplish political goals,” writes Kathryn David, a U.S. State Department historian.

After the Soviet collapse, evidence emerged of extensive ties between the Russian Orthodox Church and the KGB. Last year two Swiss publications reported that among the KGB agents in the church was Vladimir Gundyaev, known today as Patriarch Kirill of Moscow, head of the Russian Orthodox Church since 2009. (The church didn’t respond to my query about the Swiss reports. Patriarch Kirill’s nephew has said his uncle “was not an agent, although he was subjected to ‘strict controls’ by the KGB.”)

Canada, the U.K. and the Czech Republic imposed sanctions against Patriarch Kirill over his support for Vladimir Putin’s war in Ukraine. Nina Shea of the Hudson Institute’s Center for Religious Freedom says the Russian church’s justification of the war is “comparable to jihad, holy war in Islam.” The patriarch has claimed those who die during military duty have made a sacrifice that “washes away all the sins that a person has committed.”

The Ukrainian Orthodox Church historically operated as a subordinate branch of the Russian Orthodox Church. The Institute for the Study of War reports the Ukrainian church “provided material support for Russia’s initial invasion of Crimea and Eastern Ukraine in 2014,” and Russian soldiers used church buildings “as military storage depots, garrisons, field hospitals, and even fighting positions during Russia’s full-scale invasion of Ukraine.”

The Ukrainian church condemned the 2022 invasion, appealed for negotiations, expressed disagreement with Patriarch Kirill and said it had made statutory changes testifying to its “complete autonomy and independence.” But the Russian Orthodox Church website lists more than 100 members of the Ukrainian Orthodox Church as members of its episcopate. Many are also currently listed by the Ukrainian Orthodox Church.

Robert Amsterdam, a lawyer representing the Ukrainian Orthodox Church, says it “severed all administrative ties from the ROC when the present conflict began,” including “withdrawing their senior members and bishops from the synod of the ROC. The UOC cannot control what the ROC says or does on its websites, and obviously the Russians have their own separate agenda to misrepresent the independence of the Church.” He also says the “canonical or spiritual connection” between the churches “is not the jurisdiction of politicians to alter.

Some 22 Ukrainian Orthodox Church officials have been convicted of unlawful collaboration with Russians or other war-related crimes, according to Viktor Yelenskyi, Ukraine’s top executive official on matters of religion and freedom of conscience. Priests have been convicted for informing Russia of Ukrainian positions and otherwise spying and for disseminating propaganda urging the government’s overthrow. Mr. Yelenskyi estimates another 72 people connected with the church are subject to criminal proceedings or have been issued notice of suspicion. Mr. Amsterdam said “fewer than 1% of UOC members have been found to have issues.

Russia uses the church as “a channel of influence, as a kind of soft power,” and it controls senior Ukrainian Orthodox Church leaders through “blackmails, compromise, and they also bribe them,” says Cyril Hovorun, a former theological counselor to Patriarch Kirill who broke with him over his support for Mr. Putin and now lives in exile. (The Russian Orthodox Church didn’t respond to a request for comment.) Mr. Yelenskyi argues “the core problem is not in this handful of collaborators” but “the whole structure, which transmits Russian ideas and Russian narratives and is a channel of Russian influence. . . . It’s a threat to the national security of Ukraine to have ties to a body subordinated to Russia’s militaristic machine.

Embassy of Musical Mastery: Celebrating Russian Composers in The Hague

On March 20th, the Embassy of the Russian Federation in The Hague became a hub of cultural celebration as it hosted a Chamber concert of classical music dedicated to the 180th anniversary of N. Rimsky-Korsakov and the 185th anniversary of M. Musorgsky. The event, graciously organized by His Excellency Mr. Vladimir Tarabrin, the Ambassador of the Russian Federation, in collaboration with the St. Petersburg House of Music, brought together diplomats, members of the Russian diaspora, and music enthusiasts to honor two of Russia’s most eminent composers.

His Excellency Mr. Vladimir Tarabrin, the Ambassador of the Russian Federation.

Upon arrival, attendees were welcomed with the warm hospitality characteristic of Ambassador Tarabrin. In his opening remarks, he underscored the significance of cultural exchanges in preserving the identity of civilizations. It was a reminder of the profound role that art and music play in connecting people across borders and fostering mutual understanding.

The concert, aptly named “Embassy of Musical Mastery,” featured an ensemble of exceptionally talented Russian musicians, laureates of international contests. Among them were Alexander Kashpurin on piano, Philipp Sozdatelev on the clarinet, and Marck Yakovlev on the flute. The artistic director of the St. Petersburg House of Music, People’s Artist of Russia, Sergey Roldugin was also mentioned in the program.

Pianist, Alexander Kashpurin, Philipp Sozdatelev on the clarinet, and Marck Yakovlev on the flute.

The program, meticulously curated by these virtuosic performers, showcased a diverse repertoire of compositions, including pieces by Mussorgsky, Tchaikovsky, Rimsky-Korsakov, and Taneyev-Getman. Each performance was a wonderful rendering of the richness of Russian classical music, captivating the audience with its emotional depth and technical brilliance.

Attendees to the concert of classical music dedicated to the 180th anniversary of N. Rimsky-Korsakov and the 185th anniversary of M. Musorgsky.

Following the mesmerizing concert, guests were treated to a generous and exquisitely presented buffet. It provided an opportunity for attendees to mingle, exchange thoughts on the performances, and indulge in the culinary delights of Russian cuisine.

It was a reminder of the power of music to transcend barriers, forging connections that enrich our shared human experience the potential of cultural diplomacy.

Eurojust coordinates arrests in Swedish cannabis trafficking case

Eurojust has supported the Swedish and Spanish authorities in the coordinated arrest of four suspects involved in the wholesale and transport of cannabis and other illicit drugs. The main suspect was allegedly organising the reception of the drugs in Sweden and their distribution in and around Stockholm. He was arrested in Spain based on a European Arrest Warrant (EAW) with a view to surrender him to Sweden. 

Eurojust set up a coordination centre last week to assist the Swedish and Spanish authorities with the exchange of information and the execution of the EAW, as well as European Investigation Orders. A number of premises were also searched and various goods and telecommunications equipment seized during concerted actions in both countries.

Based on the interception and decoding by the Swedish authorities of large-scale encrypted communications, it was established that the suspects has transported, received and stored large quantities of cannabis in the second half of 2020.  During this period, also a large quantity of the synthetic drug MDMA was handled. .

At the request of the Swedish authorities, Eurojust enabled contact with their counterparts in Spain, where the main suspect in this case was residing. The actions on the ground were carried out at the request of and by the following authorities:

·       Sweden: Public Prosecutor’s Office of Stockholm; Swedish Police; Nordic Police and Customs Liaison Officer, Malaga.

·       Spain: Public Prosecutor’s Office of Alicante, International Cooperation Unit; Guardia Civil; Policía Nacional.

Roman villas in Limburg

A new exhibition at the Dutch National Museum of Antiquities, from April 2024

Around two thousand years ago, there were numerous of Roman villas, as the Romans themselves called them, in the region of Limburg, the Netherlands. These enormous arable farms supplied the whole region with grain. Their owners used the benefits to decorate their farmhouses in Mediterranean country-house style, with bathhouses and Roman inventions such as glass windows and underfloor heating. They were often buried, along with their valuables, on their own land.

Over the past century, archaeologists researched and excavated more than twenty of these country estates. The finds were dispersed across various collections. The ‘Roman villas in Limburg’ exhibition in the Rijksmuseum van Oudheden in Leiden (the Dutch National Museum of Antiquities) brings together the most striking archaeological finds from these villas for the first time. They are displayed in stories about Roman life and agriculture in Limburg, and the significance of the farmlands within the larger Roman network. Particular attention is paid to the residents, from the lady of the house to the people who tilled the land.

The exhibition is a joint project between three Dutch museums: the Rijksmuseum van Oudheden, the Limburgs Museum (Venlo) and the Thermenmuseum (Heerlen). ‘Roman villas in Limburg’ opens in Leiden (25 April-25 August 2024) and then travels to the partner museums. The exhibition is suitable for all ages.

Villa rustica

In addition to the main building -a luxurious country house-, a Roman villa rustica consisted of a large estate with storerooms, houses, stables, workshops, ornamental gardens and extensive arable lands. Archaeological research has shown that dozens of people lived and worked there. Between the first and third centuries AD, the Limburg villas supplied grain to all the residents of the region, in towns such as Heerlen (Coriovallum), Xanten (Colonia Ulpia Traiana) and Cologne (Colonia Claudia Ara Agrippinensium), as well as soldiers along the Limes, the frontier of the Roman empire. Grain was traded with far-flung corners of North-western Europe, via an extensive network of Roman roads and waterways. When Roman power waned at the end of the third century, the villas were destroyed, burned down and abandoned. Hardly any trace of them remains in the landscape of Limburg today.

On display in Leiden

Featuring more than 200 archaeological finds, models, 3D reconstructions and film, ‘Roman villas in Limburg’ transports visitors to rural life two thousand years ago and fields full of waving grain. The finds range from agricultural tools, roof tiles and statues to luxurious mosaics and glassware. The villa residents’ personal possessions, such as a perfume-holder from Bocholtz and a bronze cosmetics box from Maasbree, tell us more about who they were, what they did, and where they were from.

The exhibition includes old favourites such as the amber figurines from Heerlen and the ‘rooster from Buchten’, as well as pieces from museum depots that have never been exhibited before. Highlights include a metres-high reconstructed fresco from Maasbracht depicting gladiators and villa residents, and a glimpse of life at home with the ‘Lady of Simpelveld’. Her villa and its interior are known from images on the sarcophagus in which she was buried. Visitors can take an interactive tour of the ‘Villa of Voerendaal’ and learn how it was enlarged and renovated over three hundred years. They can also see the portrait of the Lady of Voerendaal, who was buried near the villa.

The exhibition features objects from the collections of the Rijksmuseum van Oudheden in Leiden, the Limburgs Museum in Venlo and the Thermenmuseum in Heerlen. There are also loans from various museums and the provincial archaeological depot in Limburg. In addition, there are reconstructions of Roman furniture made specially for the exhibition by students from HMC College in Rotterdam.

‘Roman villas in Limburg’ is one of two exhibitions at the National Museum of Antiquities in the summer of 2024; the exhibition ‘Paestum. City of goddesses’ will be held at the same time. 

Accompanying the exhibition

The exhibition will be accompanied by the booklet ‘Romeinse villa’s in Limburg’ (€12.50, Dutch), an RMO Magazine (€3.95, Dutch), lectures, guided tours, interactive routes for families, and children’s activities in the school holidays and during the National Archaeology Days (16-18 June 2024). There will be interactive tours for schools (from year 5), and on Monday, 27 May 2024, an international congress will be held in Leiden for specialists and enthusiasts.

New research

The research on Roman villas in Limburg began in the 19th century. The Rijksmuseum van Oudheden was actively involved, often in collaboration with local researchers. By 1955 around twenty villas had been excavated, with many finds being brought to Leiden. The others remained in Limburg, including at the Province of Limburg, the Limburg Museum in Venlo and the Thermenmuseum in Heerlen.

For the ‘Roman villas in Limburg’ exhibition, the three museums and the Cultural Heritage Agency of the Netherlands (RCE) joined forces in a major research and public project: ‘A Roman idyll’ (2020-2024). A detailed analysis was made of the thousands of Limburg villa finds and old excavation documents preserved in the archives and depots. Aerial photos and recent excavation data were also used to gather additional information.Amateur archaeologists, museum visitors and heritage enthusiasts in Limburg contributed to several participatory projects. All of the results will be published in the Rijksmuseum van Oudheden’s PALMA scientific series in 2024. The ‘Roman idyll’ project is funded by the Mondriaan Fonds, through the multi-year ‘Museums and heritage institutions’ programme.

Europe 2024 conference opened by Chancellor Scholz & Minister Bruno Le Maire

Tuesday, 19 March 2024, Berlin, Germany: In an exclusive setting, the Chancellor of the Federal Republic of Germany Olaf Scholz opened the two-days long conference “Europe 2024” organized jointly by Studio ZX, Die Zeit, Handelsblatt, Tagesspiegel and Wirtschaftswoche. 

During his speech, Chancellor Scholz emphasized the role of the German economy: A united Europe, and only a united Europe, has the best chance of moving and shaping a Europe in our interests. He added: Right-wing populism is a threat to democracy and cohesion; nothing should be glossed over. We are more. And we shouldn’t analyze the elections after the elections before the elections. Anyone who wants to vote for a Europe and defend peace and security can do so.

As a guest on the panel “A New Growth Strategy for Europe” at Europe 2024, French Minister of Economics, Finance and Industrial and Digital Sovereignty Bruno Le Maire spoke about France’s position in the super election year.

In his speech he reported: “Today we are experiencing what my friend Olaf Scholz described as a turning point.” He emphasized that it is our duty to introduce new ideas, to build new solutions, to create hope for our countries and for our citizens create and concludes with the words: “I remain optimistic for France, I remain optimistic for Germany, I remain optimistic for cooperation and I remain optimistic for the future of Europe.”

For further information 

Europe 2024 organized by Studio ZX I Zeitverlagsgruppe: https://verlag.zeit.de/en/events/europe-20xx-en/

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Phil Dera Photography (https://www.picdrop.com/phildera/Gh8s6tHyuU?) 

St. Patrick’s Day celebrations in Germany attended by Minister Heydon


St. Patrick’s Day, March 2024, Germany: Not many countries possess a national day as recognisable as St Patrick’s Day. The Irish see the potential in the latter fact, and dispatch government ministers to virtually every corner of the globe for this occasion. This year Minister of State for Agriculture, Martin Heydon, travelled to Germany. Accompanied by Ambassador Dr Nicholas O’Brien, the Minister travelled to events held across Germany to mark St Patrick’s Day.

Functions began in Stuttgart, capital of the federal state of Baden-Württemberg, with a reception hosted by Ireland’s Honorary Consul General in Stuttgart, Dr. Wolfgang Haefele.  A cross-representation of political and business leaders, together with the Irish community celebrated together. The Minister and Ambassador visited Hohenheim Agricultural University to meet with President Stephan Dabbert and discussed German-Irish cooperation of agricultural research. The Minister also met with Baden-Wurttemberg State Secretary for Agriculture, Sabine Kurtz.

Ambassador Dr Nicholas O’Brien addressing the audience on the St. Patrick’s Day reception

The next city to visit was Cologne, where Honorary Consul General Brigitte Wagner-Halswick hosted political and business leaders to celebrate the national day. This was followed by a visit to Frankfurt, where Ireland opened a career Consulate General in 2019. Organised by Consul General Patrick Jacques, the Minister met with political contacts, including Ms. Eileen O’Sullivan, Deputy Mayor of Frankfurt, who is of Irish heritage.

Then, on to Berlin, where the Minister and Ambassador met with Dr. Ophelia Nick, State Secretary for Agriculture.  The Minister attended business events, including an Irish food promotion event organised by Bord Bia, the Government’s food promotion agency.  The Ambassador hosted two very well-attended receptions, for the diplomatic corps, political and official leaders, including many members of the Bundestag; and an event for the Irish community.

The final stop on the Minister’s itinerary was Munich, where the largest St. Patrick’s Day parade on mainland Europe is held. Events began with the ‘Ambassador’s Business Breakfast’ hosted by the Irish Business Network Munich.  The parade started at 12.00 with Mayor Dieter Reiter, Minister Heydon and Ambassador O’Brien, leading the parade in horse drawn carriages.  It is estimated that 50,000 people attended the parade under glorious sunshine.

Mayor Reiter sang Irish songs from the stage, together with famous Irish Eurovision winner Johnny Logan. In their speeches, the Minister spoke of the strong links between Ireland and Bavaria; and the Ambassador announced that the Government of Ireland will open a career Consulate General in Munich this summer.  Both the Government of Ireland and the Government of Munich provide financial support to the parade, which is organised by the Munich Irish Network. The parade was likewise attended by the US Consul General in Bavaria, Timothy Liston

There was a wonderful festive atmosphere at the parade and this rounded off the week-long St Patrick’s Day celebrations in Germany. 

For further information 

Irish Embassy in Germany: https://www.ireland.ie/en/germany/berlin/

‘Paestum – City of Goddesses’

A new exhibition at the Dutch National Museum of Antiquities, from April 2024

On 25 April 2024, the exhibition ‘Paestum. City of Goddesses’ will open at the Rijksmuseum van Oudheden – the Dutch National Museum of Antiquities, in Leiden. This exhibition was created in close collaboration with the Ministero della Cultura – Parco Archeologico di Paestum e Velia, to bring an exceptional selection of archaeological finds from Paestum on loan to the Netherlands. Poseidonia, as Paestum was originally called, was founded around 600 BC on the Bay of Salerno in Southern Italy.

The exhibition focuses on the dynamic history and cultural diversity of the city, famous for its Greek temples. Highlights include a marble statue of the goddess Hera and eight unique frescoes from the tombs of Paestum’s elite. There are also figurines of terracotta, bronze and marble, incense burners, splendid pottery, fine glassware, coins, Greek bronze armour and numerous offerings for the goddesses Hera, Athena and Aphrodite. ‘Paestum. City of Goddesses’ is the first retrospective exhibition to be held in the Netherlands on the archaeology of Paestum. Telling a story that lasted around a millennium, from the city’s founding to the Roman era, the exhibition will run until 25 August 2024.

City of goddesses

Paestum is one of many Greek cities to have been founded along the coasts of the Mediterranean, the Ionian Sea and the Tyrrhenian Sea from the 8th century BC onwards. The city was located on a fertile plain near a navigable river. Agriculture and shipping brought great wealth to Paestum, and Greek traditions and history soon merged with the local culture. This cultural diversity is highlighted in the exhibition, with a variety of archaeological finds and stories about exchange and interaction between the different communities. The veneration of the goddesses Hera, Athena and Aphrodite forms a connecting theme. Despite the diverse population, with various backgrounds and changing traditions, the temples and shrines of Paestum remained in use. From the 3rd century, the plain of Paestum was transformed into a marshland where malaria was prevalent, making the city uninhabitable. The last residents left in the 7th century AD, and built a new city in the hills. In their church they worshipped the Madonna del Granato, the successor to the goddesses of Poseidonia. In the end, the monumental Greek temples and huge city walls were the only recognisable remains of the original city in the landscape.

From Poseidonia to Paestum

The exhibition starts with the famous temples and the founding of Poseidonia (600 BC), with 3D architectural prints and reconstructions, original temple decorations, and unique 18th-century temple models made of cork. They are displayed in large-scale sets against the colourful hues of Southern Italian skies, in an attempt to capture the vastness of the landscape.

In multicultural Poseidonia, local Lucanians took power from the Greeks around 420 BC. The exhibition shows lavishly decorated tombs depicting Lucanian warriors, burial games and burial rituals. Characteristic fish plates from Campania and decorated drinking cups illustrate the daily life of the Greeks and Lucanians. The numerous terracotta offerings to the goddesses of the city provide insight into the religious practices of the time.

After it was conquered by Romans in 273 BC, the city was given the Latin name Paestum and underwent a metamorphosis. Many Greco-Lucanian buildings made way for monumental Roman architecture, and a new industry arose: the production of perfume from olive oil and roses. In Leiden, Roman statues, decorated tombstones and a display case full of precious perfume bottles highlight the Roman influence on the city.

In addition to the loans from the Ministero della Cultura – Parco Archeologico di Paestum e Velia and Leiden’s own collection, the exhibition features objects from the Musée du Louvre in Paris, Antikensammlung Staatliche Museen zu Berlin, National Numismatic Collection/De Nederlandsche Bank in Amsterdam, and the Allard Pierson in Amsterdam. ‘Paestum’ is the fifth exhibition in the National Museum of Antiquities’ series on important cities in the ancient world. It follows the crowd-pulling exhibitions on Petra (2013-2014), Carthage (2014-2015), Nineveh (2017-2018) and Byblos (2022-2023).

Accompanying the exhibition

Ruurd Halbertsma, curator of the exhibition, has compiled additional background stories in the audio tour (English/Dutch), the podcast series and the exhibition booklet ‘Paestum. Stad van godinnen’ (€12.50, Dutch). There will also be an issue of the RMO Magazine (€3.95, Dutch), interactive tours for secondary schools, and extra children’s activities during the school holidays. The ‘Paestum’ exhibition will be held at the Rijksmuseum van Oudheden at the same time as the exhibition on ‘Roman villas in Limburg’.

Acknowledgements

The exhibition booklet was made possible by a contribution from Labrys Reizen. The National Museum of Antiquities is supported by the Vriendenloterij.

Rijksmuseum van Oudheden/National Museum of Antiquities

The Rijksmuseum van Oudheden brings archaeology and the ancient world to life. At the museum, everyone can explore the age-old civilisations of Egypt, the Classical World, the ancient Near East, and the Netherlands in prehistoric, Roman, and medieval times. The museum is located in Leidens historic centre, just a 10 minutes’ walk from Leiden Centraal railway station, at half an hour’s journey from Amsterdam.

In Conversation with Ambassador of Malaysia to France:

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Diplomat Magazine met with His Excellency Dato’ Mohd Zamruni Bin Khalid to discuss his views on Malaysia-France relations and other significant issues.

What were your thoughts when you were informed that you would be appointed as Ambassador of Malaysia to France?

When I was informed that I would be appointed as Ambassador of Malaysia to France, I could not figure if it was a blessing or a curse. As a junior diplomat, I was posted to the Embassy of Malaysia in Paris from 2000 to 2002. I was also fortunate to pursue a M.A. (Comparative Politics) at the Institute of Political Studies, Sciences Po between 2004 and 2006.

The Malaysian Government must have calculated their decision to send someone who is au fait or familiar with the country and who already had an established network as its top envoy to France as it is a rare feat in our system! Therefore, returning to France for a second time (or third time if my time as a master’s student is taken into account) definitely comes with higher expectation.

H.E. Dato’ Mohd Zamruni Bin Khalid, presenting his credentials to President Emmanuel Macron.

When did you arrive in France to take on your role as Ambassador of Malaysia? How would you describe the Malaysia-France bilateral relations at that point of time?

I arrived in Paris in September 2021, as the world was slowly reopening following the Covid-19 pandemic. Notwithstanding, I could not help but remark how invaluable Malaysia-France bilateral relations were throughout this difficult time. Both our countries had worked closely in repatriating our respective nationals and facilitated passage during international lockdown. Travel restrictions also did not deter high-level engagement. Both our then Foreign Ministers had engaged virtually in February 2021.

I was also happy to learn that there was robust cooperation on scientific research at the height of the pandemic whereby Malaysian virologists were attached at the Institut Pasteur in Paris to share and build expertise on Covid-19 genome sequencing and tracking.

Malaysian street performers – Eeiffel Tower, Paris.

Another important achievement was the acceptance of France as one of ASEAN’s development partner in September 2020. Travel restrictions and lockdown imposed no barrier but rather stimulated both sides to forge meaningful partnership in trying times.

The Covid years had put a brake on many defining sectors of Malaysia-France bilateral relations like trade and investment, tourism and to an extent education. These were among the first challenges I had to address as Ambassador of Malaysia. The post-pandemic landscape was a white canvas and it was only prudent that Malaysia seized the opportunity to reconnect with the French market. Malaysia was already open for business at the point and I was grateful to have the support of the colleagues at the Embassy as well as the Malaysian Investment Development Authority (MIDA); Malaysia External Trade Development Corporation (MATRADE) and Tourism Malaysia who readily doubled efforts to channel focus on Malaysia.

MIichelle Yeoh at Voyage Culinaire.

Considering that you have been at your post for two and a half years now, how would you describe Malaysia-France bilateral relations thus far? Are you contented with the way the relations are proceeding?

Today, I am pleased that Malaysia and France relations are at an all-time high. Each recognise the other as a key player – politically and economically in our respective regions. Our political leaders, including ministers and parliamentarians, continue to show commitment to strengthen and deepen bilateral relations between Malaysia and France. This is quantified by the number of high-level visits and exchanges between both sides in recent years.  At the senior official levels, we have launched regular bilateral consultations that will facilitate and help us take stock of cooperation in various sectors.

Economically, Malaysia regards France as a significant partner. After all, France is Malaysia’s third largest trading partner in the European Union (EU). Likewise, Malaysia is also France’s third largest trading partner in ASEAN. I must add that Malaysia has one of the most open economies in the world and with our strategic location in the heart of Southeast Asia, this makes us the ideal economic hub. Today, Malaysia is focused on attracting investments in aerospace and automotive as well as green technology. France and Europe are leaders in these sectors and therefore there are potentials for closer cooperation.

The diplomatic and business community aside, I observe that knowledge about Malaysia among the French is still lacking. While East Asia – its history, politics and culture are well known to the French, countries in Southeast Asia do not share the same pedestal. Therefore, I have undertaken to correct this through various outreach programmes to promote Malaysia and build closer people-to-people relations.

To this end, the Embassy in Paris has organised various programmes that showcase our gastronomy (something Malaysia and France have in common) as well as our culture from music and dance to costumes and martial arts. Our focus has been to reach a varied audience to show what Malaysia Truly Asia means.

How would you show what Malaysia Truly Asia means in a city like Paris?

I recall one event we held in Trocadéro, with the Eiffel Tower as background, tourists and locals alike were serenaded by a group of musicians playing traditional tunes on traditional musical instruments while a troop of dancers performed various traditional dances and invited the onlookers to participate. It was a warm summer afternoon but the crowd were just so happy to join in and have a good time.

I am particularly proud of the annual Voyage Culinaire, a flagship event of the Embassy whereby we take our visitors on a culinary journey of Malaysia’s best foods. Last year we brought Malaysian hawker and street food to the heart of Paris! Visitors were able to taste and try their hands at making popular dishes like Nasi Lemak, Roti Canai, Char Koay Teow and Teh Tarik, among others.

In keeping with Malaysia’s commitment to promote Silat, which has UNESCO’s recognition as an intangible cultural heritage, we find every opportunity to highlight this ancient martial art, rooted in the Malay Archipelago. This form of self-defence has stood the test of time, having been in practice since the 7th century during the Langkasuka Kingdom. I am very happy that the practice continues to live on and more importantly more and more French are learning this martial art discipline.

The University of the Philippines Concert Chorus-UPCC is Coming to Town

Roy Lie Atjam

In Celebration of the 125th Anniversary of the Permanent Court of Arbitration and 126th Anniversary of the Proclamation of Philippine Independence.

The Embassy of the Philippines, under the leadership of H.E. Ambassador Dr. Jose Eduardo E. Malaya III, is partnering with the Permanent Court of Arbitration and Diplomat Magazine to present a concert featuring the University of the Philippines Concert Chorus (UPCC). The group will be specially flown in from Manila for the celebrations, and the performance will take place in The Hague in June 2024. Attendance will be by invitation only.

The University of the Philippines Concert Chorus (UPCC), also known as Korus, is an official performing group of the University of the Philippines Diliman. Since its inception in 1962, Korus has gained a reputation for her musicality, of perfecting versatility in bridging musical genres such as classical, folk, pop, and Broadway with their signature “Choreocapella” or choreographed a capella has dazzled many around the world. 

The UPCC is led by Professor Janet Sabas-Aracama, known as “Jai” to intimates, who serves as the Conductor and Artistic Director. Korus has been recognized with numerous awards locally and beyond.

When it comes to international singing contests, Filipinos do more than just stand out. The University of the Philippines Concert Chorus (UPCC) attests to that. Competing against 42 other chorales from 25 countries some years back, the UPCC emerged among the best. In 2018, Korus was named one of the “Most Outstanding Institutions” of Quezon City -Philippines.

UPCC has a rich legacy of impressive stage performances, lively choreography, dramatic expressions, captivating costumes and a distinct Filipino charm. The UPCC Concert Chorus continues to revolutionize choral performance not only in the Philippines but also globally.

The iconic UPCC is coming to town in June and will and leave a lasting impact on The Hague’s music scene.

The Bangladeshi Food Festival in the Netherlands

By Roy Lie Atjam

The Bangladesh Embassy organized the first-ever Bangladeshi Food Festival in the Netherlands, 7-8 March 2024 at the Royal Leonardo Hotel, The Hague. The Embassy rolled out this culinary exposition in collaboration with the Diplomat Magazine and Leonardo Royal Hotel.
Diplomatic missions in the Hague effectively use their culinary heritage as a tool for public diplomacy. “Many Europeans, particularly Dutch people, tend to think of Bangladeshi food as being similar to the “Indian food” found in restaurants. However, we have noticed that Bangladeshi cuisine is not often offered as a fine dining option. This is why we want to change the perception of our traditional cuisine and position it in an innovative way.” expressed H.E. Mr. Riaz Hamidullah, Ambassador of Bangladesh,

H.E. Mr. Riaz Hamidullah, Ambassador of Bangladesh and Bangladeshi chefs Sayat Chowdhury. and Sheikh Emdadul Haque.
Bangladesh Food Festival, March 2024.

Chef Sheikh Emdadul Haque, has been working as a chef at the Bangladesh Embassy in The Hague for eight years. Prior to joining the embassy, he worked for four years at the Bangladesh Embassy in Tashkent. Emdadul hails from southern Bangladesh, a region famous for its freshwater fish, particularly the renowned black tiger shrimp. He has a deep passion for his culinary style and enjoys blending traditional spices into his dishes.

Chef Sayat Chowdhury Originally from southern Bangladesh, Sayat Chowdhury moved to the Netherlands seven years ago to attend university. Yet, his uncanny love for food and faith in his ability to connect-nurture-inform landed him in professional kitchens. Having worked at Restaurant Arles, Restaurant Elkaar and Foer, he pursued his Bachelor’s and Master’s in New Media & Digital Cultures (University of Amsterdam). Currently, he holds his first full-time position as chef de party at REM in Amsterdam.

The Bangladeshi Food Festival Menu

At the outset guests were greeted with a live Jhalmuri station and green mango juice to tantalize their taste buds.

“Finalizing the six course menu was a challenge as we tried to incorporate a variety of dishes ranging from street food (jhalmuri) to everyday dinner (khichuri, bharta) and special occasion dishes (pulao) as well as traditional sweetmeats. In a time where a vegan plant-based diet is trendy, even in continental Europe, let alone the Netherlands, we aimed to balance our menu and present the dishes attractively to our guests.”

“We used our aromatic rice – Chinigura – in pulao and khichuri and served the famous black-tiger shrimp. Homemade Potato Homemade halwa was served as a dessert to balance the sweetness with crunchy, savory bites as also connect with the Dutch i.e. where potato is a staple. Additionally, the main course was presented on banana leaf. Finishing with traditional milk tea.

To create an attractive ambience, we incorporated different elements that made the hotel staff stand out with their elegant checkered and striped patterns of red, orange, or green Gamcha (scarf), which added to the charm.” declared the Bangladeshi chefs.

On both evenings, two expatriate Bangladeshi artists,  Saikat Barua dressed in a majestic Bangladeshi traditional attire and Swarnaly Chowdhury, enthralled the guests with their rendition of popular live Bangladeshi songs.

Bangladeshi artists,  Saikat Barua and Swarnaly Chowdhury.

A selection of Bangladeshi crafts at the restaurant entrance added to the ambiance.

The Leonardo Royal Hotel The Hague Promenade was completely booked for an event attended by two former Dutch Ministers, Mr. Jan Pronk and Mr. Tom de Bruijn. The event was also attended by Dutch government officials, distinguished businessmen, and ambassadors, including the Dean of the diplomatic corps, H.E. Ms. Sahar Ghanem. The gastronomic adventure received high praise from all attendees who were impressed by the distinct taste, aroma, and flavours of the culinary experience.

During the inauguration remarks, H.E. Mr. Riaz Hamidullah, Ambassador of Bangladesh, declared “we highlighted the diversity of food in different regions of Bangladesh. We also emphasized how food is an integral part of people’s identity, and how specific ingredients have been traditionally used in the preparation of various dishes, which are still associated with Bangladesh.”

Bangladesh Food Festival Dr. Mayelinne De Lara, Diplomat Magazine’s Publisher.

The Diplomat Magazine’s Publisher expressed gratitude to the Embassy for their collaboration in organizing the special event. They appreciated the rich tradition of Bangladeshi cuisine, which they described as “a symphony of flavors”. The Hotel’s General Manager, Mr. Thomas Kortleve, then addressed the guests, explaining how the Bangladeshi gastronomic tour would offer an exciting experience that celebrates the authentic combination of spices, flavours, and colours.

A Bangladesh Food Festival raffle, with interesting prizes, was included as an integral part of the festive program.

If this continues in the future, it will have a lasting impact on Dutch society, which values and embraces multiculturalism.